Fans have waited a long time to buy a boxed set of Clint Eastwood’s early spaghetti westerns by Sergio Leone. featuring Clint as the iconic loner with no name. The wait is over. The boxed set, officially titled Clint, available June 1, 2010, Eastwood in The Man With No Name Trilogy hits a bullseye.

This collection belongs in every home film library. Leone’s trilogy of lowbudget, high-impact films, set in the American West (but filmed in Spain and directed by an Italian), made Eastwood a major movie star with a following that forced Hollywood to sit up and take notice. Up until that time he was known only for his roles on TV, most notably as Rowdy Yates in the series, Rawhide.

I interviewed Eastwood before the Academy Awards in 2005 when he had been nominated for Best Director and Best Picture for Million Dollar.  I asked how important to his films was the music in each. “Very Baby important,” he told me, holding me with that famous Eastwood gaze that says, “Nothing matters right now except our conversation.” He went on to explain that he wrote the music himself. “I was very careful not to allow the music to overwhelm the visuals but to support them,” he said, adding, “I learned that from Ennio Morricone.”

When I recalled that Eastwood had made a name for himself with the Sergio Leone films, Eastwood brightened. “It was Morricone who wrote the music for the three spaghetti westerns,” Eastwood said. “If you’ve seen them you know the music.”

The first in the series, A Fistful of Dollars, hit U.S. movie houses in 1964. The stage was set for the former television actor to become an international sensation as the rough-hewn, silent Man with No Name.

The footloose renegade with a wacky sense of humor, a cheroot clenched in his teeth, and a squint that made villains squirm, caught the fancy of moviegoers and they became his fans for life. Those fans are now graybeards, and they’re still loyal. They, and anybody else who likes movies with Clint Eastwood, are in for a treat.

writer/director Akiro Kurosawa’s film, Yojimbo.” That cynical samurai tale, in the hands of Sergio Leone, gets a different setting, the American West. The tale, which maintains the inner stuff of legend and iconic characters, works on a visceral level.

The follow-up film, For a Few Dollars More, teams Eastwood with Lee, who played the villain opposite Gary Cooper in High Noon.

In Dollars, Leone’s classic tale of revenge, Van Cleef again plays the villain to perfection.

The third film, The Good, The Bad and The Ugly, is set in the American Civil War where violence is a given. Added to that conflict is buried gold, and classic criminals in a conspiracy that involves double-crosses and trayals that play out in a tension-filled finale with enough gun fights to satisfy any action fan.

(Catalog # M121526)

● The Christopher Frayling Archives: A Fistful of Dollars

● Commentary by Film Historian Christopher Frayling

● A New Kind of Hero

● A Few Weeks in Spain: Clint Eastwood on the Experience of Making the Film ● Tre Voci: A Fistful of Dollars

● Not Ready for Primetime: Renowned Filmmaker Monte Hellman discusses the Television Broadcast ● The Network Prologue with Actor Harry Dean Stanton

● Location Comparisons: Then to Now ● 10 Radio Spots ● Double Bill Trailer ● Theatrical Trailer

(Catalog # M121528)

● The Christopher Frayling Archives: For A Few Dollars More

● Commentary by Film Historian Christopher Frayling

● A New Standard: Frayling on For A Few Dollars More

● Back for More: Clint Eastwood Remembers For A Few Dollars More

● Tre Voci: For A Few Dollars More

● For A Few Dollars More: The Original American Release Version

● Location Comparisons

● 12 Radio Spots

● Theatrical Trailer 1

● Theatrical Trailer 2

(Catalog # M121527)

● Commentary by Film Historian Richard Schickel

● Commentary by Film Historian Christopher Frayling

● Leone’s West

● The Leone Style

● The Man Who Lost the Civil War

● Reconstructing The Good, The Bad and the Ugly

● IL Maestro: Ennio Morricone and The Good, The Bad and the Ugly – Part One

● IL Maestro: Part Two

● Deleted Scenes

â—‹ Extended Tuco Torture Scene

â—‹ The Socorro Sequence: A Reconstruction

● Easter Egg #1 Uno, Due, Tre

● Easter Egg #2 Italian Lunch

● Easter Egg #3 New York Actor

● Easter Egg #4 Gun in Holster

● Theatrical Trailer

● French Trailer

Metro-Goldwyn-Mayer Inc., through its operating subsidiaries, is actively

engaged in the worldwide production and distribution of motion pictures,

television programming, home video, interactive media, music and

licensed merchandise. The company owns the world’s largest library of

modern films, comprising around 4,100 titles. Operating units include

Metro-Goldwyn-Mayer Studios Inc., Metro-Goldwyn-Mayer Pictures Inc.,

United Artists Films Inc., MGM Television Entertainment Inc., MGM

Networks Inc., MGM Domestic Networks LLC, MGM Distribution Co, MGM

International Television Distribution Inc., Metro-Goldwyn-Mayer Home

Entertainment LLC, MGM ON STAGE, MGM Music, MGM Worldwide Digital

Media, MGM Consumer Products and MGM Interactive. In addition, MGM

has ownership interests in international TV channels reaching nearly 120

countries. MGM ownership is as follows: Providence Equity Partners (29%),

TPG (21%), Sony Corporation of America (20%), Comcast (20%), DLJ

Merchant Banking Partners (7%) and Quadrangle Group (3%). For more

information, visit www.mgm.com.

Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film Corporation, a News Corporation company. Representing 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions on DVD, Blu-ray Disc Digital Copy, Video On Demand and Digital Download. The company also releases all products globaly for MGM Home Entertainment. Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and ecommerce throughout the world.

Van Cleef

The post CLINT EASTWOOD -Hollywood Behind-The-Scenes first appeared on River View Observer.

Actress Tammy Blanchard best known for her Emmy Award wining role as a young Judy Garland in CBS’s 2001 mega docu-drama Life with Judy Garland:Me and My Shadows, will appear in “Amish Grace,” a Lifetime LMN drama Sunday, March 28, at 8pm.

Based on a True Story and Book Amish Grace: How Forgiveness Transcended Tragedy by Donald B. Kraybill, Steven M. Nolt, and David L. Weaver- Zercher.

When a gunman killed five Amish children and injured five others in a Nickel Mines, Pennsylvania schoolhouse shooting in October of 2006, the world media attention rapidly turned from the tragic events to the extraordinary forgiveness demonstrated by the Amish community.

Ms. Blanchard stars as Amy Roberts the wife of Charles Carl Roberts the shooter at Nickle Back. Also appearing with Ms. Blanchard in Amish Grace; Kimberly Williams Paisley, and Matt Letscher.

Read more about Ms. Blanchard’s acting career next month in our River View Observer Celebrity Cover Interview with this talented New Jersey actress.

The post ACTRESS TAMMY BLANCHARD STARS IN LIFETIME NETWORKS “AMISH GRACE” MARCH 28 AT 8PM first appeared on River View Observer.

Howard Pyle, the “Father of American Illustration,” was also famous for painting historic murals like “The Landing at Carteret” which hangs in the Essex County Court House in Newark and other works collected by the Fine Arts Museum of San Francisco, the Delaware Art Museum and the Brandywine River Museum. But you don’t have to hop a plane to Frisco or a train to Delaware to see Pyle’s paintings up close. Four murals depicting the history of Hudson County hang in the beautifully restored, Beaux Arts landmark Justice William J. Brennan Court House in Jersey City, where people from all walks of life can view Pyle’s majestic and historic paintings.  

Adorning public buildings with historic art by contemporary artists was a popular concept at the Turn-of-the 20^th century and Pyle’s murals were hung at the Brennan (then called the Hudson County Court House,) soon after it opened on September 10, 1910 (this is the building’s centennial year.) Pyle’s murals are cherished commodities and respectfully maintained by the Hudson County Cultural & Heritage Affairs Tourism Development office housed on the first floor of the building where the department’s administrator Bill LaRosa and his talented staff – some of whom are artists, performers and writers themselves – carry on Pyle’s legacy:

Every month, the staff transforms the first floor’s Theodore Conrad Rotunda into the Brennan Gallery, a public art space that gives local artists a venue to show their work and the local community a chance to experience art up close and personal.  To LaRosa, his staff and the man in charge, Hudson County Executive Thomas DeGise, art is for the people and by the people.

 “The arts community is an important and growing part of our population,” DeGise says from his wood-paneled office on the first floor of the court house. “Ten percent of our capital projects go to public art. The Brennan was built 100 years ago and it’s still very beautiful and useful. There’s a lesson there. Do it right and with an eye toward the future.” 

And while Pyle, a master artist and illustrator of his time chose to look back in Hudson County’s history as the inspiration for the murals he created, LaRosa and the Cultural Affairs crew concentrate their efforts on artists who create contemporary works in all genres of the visual and performing arts.

 “We have some of the greatest murals of the 20^th century on our walls,” LaRosa says from his first floor office steps away from the marble-floored rotunda. “Why shouldn’t contemporary artists have the privilege of being seen here? The court house is an ideal location to showcase art work.”

To respect the dignity of the Brennan which is on the National Register of Historic Places, LaRosa and his crew stage the Brennan Gallery with the clever use of portable walls and strategic lighting.

 “I remember seeing the gallery when it was completed, it was just beautiful,” LaRosa says. “The paintings were up, the lights were on – the rotunda was made for it.”

Because the court house is a government building, the work is seen by a wide-range of people, from the high-ranking government official to the local citizen on their way to jury duty. Seeing everyday people appreciate the art gives LaRosa great pleasure, he says.

  “I’ll see jurors, sheriff’s officers and county employees looking at the art work and that makes me feel good because that’s what it’s designed to do,” LaRosa says. “Art is for everyone.  A public building shouldn’t be cut and dry. If it can serve a higher purpose, then why not?”

Looking back to the 1960s, 70s and 80s, Hudson County was home to many art galleries exhibiting local artists’ work, but times changed when storefront galleries became real estate gold. These days, local art galleries are practically nonexistent and many artists look for alternative venues to show their work like restaurants, office buildings, even city halls.

“There are very few galleries in Hudson County because of property values and lack of accessible public spaces,” LaRosa says. “The Brennan Gallery is one of the few.”

This week, the Cultural Affairs team is preparing for a special exhibit for Women’s History Month called “Herstory” curated by Assistant Administrator Eileen Gaughan and Program Development Specialist Meredith Lippman. The show opens March 2^nd and runs through March 26^th and features black-and-white photographs taken by local women photographers who were asked to go out into the community and photograph other women at work.  

“We thought what better way to celebrate Women’s History Month than with an exhibit of women photographing women working in unconventional roles in fields like architecture and mathematics,” Gaughan says. “Who knows a woman better than another woman and who can celebrate women better than her peers?”

 For the past two years, the Women’s History Month exhibition has given women artists like So Yoon Lym, a photographer and painter, the opportunity to have their work shown. Prior to having her work chosen for the 2009 show, Lym’s work was picked for the February “African Americana” exhibit.

  “For the African-Americana show, the artists had to be of African-American ancestry,” Lym says. “What a revolutionary and contemporary concept – that all Americans are in some way connected to this month and could be through their art work. I have always looked to New York City as the center of the art world and though this is true, it’s great to know that there are venues in Jersey City that showcase and promote contemporary artists.” 

Along with professional artists and photographers who exhibit at the Brennan, LaRosa and his staff present shows by senior citizens, teenagers, even patients from a local hospital. Lippman recalls a group show by students at St. Dominic’s Academy, a Catholic High School in Jersey City, who expressed their artistry in a series of painted wooden chairs.

“It was a knockout of an exhibit,” Lippman says.

As Program Development Specialist, Lippman also runs a workshop series to help artists manage their careers. An artist herself, she understands the problems they face trying to handle their careers while creating their art. So, she assembles panels of professionals who discuss important issues like writing artist statements, knowing what museum curators look for when producing shows, copyrights and other matters.

 “I email the artist community and ask them, ‘What do you need?  Give me an idea of what we can do to help you,'” Lippman says.

Along with the Brennan Gallery, LaRosa and his staff host the Brennan Coffee House, a once-a-month, Friday night hootenanny where the rotunda gets transformed again, this time as an intimate bistro with café tables and chairs. Local folksingers and musicians – some with a national following – perform on a portable stage and the acoustics are just right for folk music.  A pet project of County Executive DeGise who’s a real fan of folk legends like Woody Guthrie and Bob Dylan, the coffee house has become a popular night of entertainment for local music lovers and within the historic setting of the court house, songs of protest and peace seem to resound with a deeper meaning.

In September, DeGise will host a special celebration honoring the Brennan’s centennial year. It’s been a hundred years since Pyle’s murals were hung in the court house, but the concept of giving art justice still holds true today through the work of DeGise, LaRosa and the Cultural Affairs staff.  Providing a public forum for art exhibitions not only nurtures an ever-growing artist population, it nourishes a community’s quality-of-life.

As County Executive DeGise says, “There’s a lesson there.”

 Sally Deering is a freelance writer on art and culture.

For more information, email SallyDeer@gmail.com

 

 

The post The Art of Justice: Howard Pyle’s Legacy Prevails at the Brennan Court House first appeared on River View Observer.

Tammy Blanchard co-stars with Kimberly Williams-Paisley

Ms. Blanchard’s role is that of Marie Roberts; widow of Charles Carl Roberts the shooter of the Pennsylvania schoolhouse.

The Nickle Mine, Pennsylvania schoolhouse shootings received world wide  attention not only for the depth of the tragedy but because of the reaction of the Amish leaders’ who forgave the shooter and his widow wife.

Ms. Blanchards acting roles include: In 2009 co- starred in  “Rabbit Hole” about a  happy couple who’s life is turned upside down after their young son dies in an accident. Co-starring with Nicole Kidman as Ms. Kidman’s sister in David Lindsay-Abaire Pulitizer Prize winning play brought to the big screen. Also appearng in the film is Aaron Echhart, Diane Wiest and Giancarlo Esposito. A 2010 release of the film is in the works.

Ms. Blanchard co-starred as Laura a young hearing and speach impaired girl who becomes Matt Damon’s love interest  in Robert De Niro’s  2006 CIA movie blockbuster The Good Shepherd.”

In 2006 she also starred in “Sybil”  with Jessica Lange in the television remake  about Sybil Dorsett who suffered from multiple personality disorder for CBS which aired in June of  2009.

In the 2006  she also co – starred in “Bella” playing Nina” a waitress , struggling to make it in New York City, who  discovers something about herself that she’s unprepared for. Bella went on to win the 2007 People Choice Award  at the Toronto Film Festival.

In 2004 she played Gypsy Rose Lee in Sam Mendes adaption of Gypsy Rose Lee on Broadway co-starring with Bernadette Peters.

The talented Ms. Blanchard won an Emmy in 2001 for her performance as a young Judy Garland in CBS’s movie Me and My Shadows “Life With Judy Garland” based on the book by Judy Garland’s daughter Lorna Luft.

Video of Blanchards “SYBIL” Performance

Blanchard in Living Proof

Read about Tammy Blanchard in “Bella”

 Read about Blanchard’s Emmy

The post Tammy Blanchard Co-stars in new Lifetime Movie-AMISH GRACE first appeared on River View Observer.